2020年1月24日(星期五)至2月8日(星期六),IMA gallery与黒鳥社合作,在东京展出了新兴摄影师苅部太郎Taro Karibe创作的“ INCIDENTS”系列作品。与传统展览不同的是,此次展出的不仅仅是纸质印刷作品,还有来自光科全息的光子膜打造的“光子胶片”。
From January 24th (Friday) to February 8th (Saturday) in 2020, in cooperation with 黒鳥社, the IMA gallery exhibited the "INCIDENTS"—— series of works created by Taro Karibe in Tokyo. Different from traditional exhibitions, beyond paper prints, there are "photonic films" created by HoloKook photonic films.

      这也是光科全息的光子膜首次在日本的艺术空间亮相,恰当得表达了摄影师苅部太郎的作品理念 ——空間軸と時間軸が混線し、劣化したイメージ群(将空间轴和时间轴混合在一起的退化图像)。

This is the first time that the photonic films has been emerged in the Japanese art space. It properly expresses the photographer Taro Kushiro’s idea : 空間軸と時間軸が混線し、劣化したイメージ群 (Degraded images that mix space axis and time axis )



利用即使在接近自然光的环境下也可以清楚地显示图像的光子膜的特性,“光子胶片” 通过将噪声转换为“物理照片”,从而融合了数字与物理之间的界限,使投影机投影的图像在白天和室外依然能够清晰显示,这是通过光科全息的“光子晶体”实现的,该技术使作品和媒体的表现力得到了提升,扩展了技术和产品限制所阻碍的“媒体艺术表现形式”。
Using the characteristics of the photonic film——the image can still be clearly displayed in circumstances close to natural light, by converting noise into "physical photos", the boundary between digital and physical is merged, so that the image projected by the projector can still be clearly displayed during the day and outdoors. This is achieved through HoloKook's "photonic crystals". Through this technology, the expressiveness of works and media has been enhanced, “media art expressions” which are hindered by technology and product constraints has been extended.